Showing posts with label Karen Black. Show all posts
Showing posts with label Karen Black. Show all posts

Friday, August 31, 2012

Invaders From Mars (1986)


When I finally got to see this movie (I seem to remember watching it as a kid, but only actually SAW it when I saw it in 35mm a while back) I thought for sure this was a movie every self respecting sci-fi/horror fan loves to bits. Unfortunately my smug sense of who likes what couldn't be further from accurate on this one. As such, I am here to defend its honor for anyone who cares to read this.

Trailer:


FUN! The plot to this movie is pretty cut and dry but I suppose I will give indulge myself. Young David Gardner has a very active imagination. When he sees a giant UFO land over the hill from his house one night, his parents wave it off as a simple nightmare. As the days go by his parents- followed by all the adults (and at least one kid too) that he sees- begin acting very strangely and all seem out to get him because he knows what's up with the invasion. Enlisting the help of the school nurse (the only adult he can trust, played by the legendary Karen Black), David sets out to right what has gone horribly wrong.

That plot synopsis I just wrote kinda sucks, but I rewrote it three times already and am just going to let it be and hope that you trust me here because the movie is actually pretty fun to watch. How many movies can you name where a school teacher gets taken over by evil aliens and gets eaten by their creepy looking soldiers in one tremendous gulp? Anyways, it seems that a decent majority of the moviegoing public really didn't seem to care very much about this film when it was released. The film barely made half of its budget back, and critical response was and generally still is rather lukewarm towards it while the public opinion (based upon my own research) seems to be very mixed and in some cases inaccurate (more on this in a hot minute).

I think one of the bigger reasons this film failed in the box office was that our good old bottom of the barrel friend Cannon produced it (for you readers who have been here since the beginning of this blog you might remember my reviews of two other Cannon films- The Hitcher and Allan Quatermaine and the Lost City of Gold) and for any of you out there savvy to the stuff this company churned out you will know it was done on the cheap end of the scale nine times out of ten.

Lucky for us, Tobe Hooper was at the helm of this picture and he has absolutely no fear of budgetary constraints and pulls off a pretty impressive picture. He is a film maker that in my opinion thrives on such constraints. The original 1953 version of this film had the budget of a pint of potato salad at Fred Meyer (which adds to its schlocky entertainment value to the maximum) so to give this the budget of a major blockbuster would have made it look completely ridiculous. The estimated cost of production is in the 12 million dollar mark (sadly, it only managed to make about 4 million in theaters, but Cannon nearly always recouped its losses in home video rentals and sales anyway). With the crazy looking aliens, sometimes expansive sets, and for a bit some gregarious gunfire, one would think the budget would have been more in the 15-20 million area. Such is the glory of Mr. Hooper. I definitely don't like a lot of his films, but I can say this- they are all pretty well made.

Okay I got a bit sidetracked there but remember like a minute ago when I was discussing response to the film? When one looks it up you find a pitiful response in favor of it. I don't know what people are expecting when they see this besides i don't know, SOMETHING FUN, but they apparently did not find the pseudo intellectual HJ they were hoping for. One would be critic claimed the ending is a "middle finger to the audience". Whoever this fella is obviously has no idea that the original film ends exactly the same way. Middle finger indeed. I feel this is a film that somehow managed to slip through the cracks for 90% of the Earth's population.

I know this is a cult movie, but I wish it were one with a far wider audience than it has as I don't feel like it gets the respect it deserves. The casting is spot on, even Louise Fletcher (if you don't know who she is, you better google it immediately) is in the mix. I should also mention a Devo related cast member for all you you spoudboys and spuddesses out there- Laraine Newman. For those not in the know, she played Donut Rooter (daughter of Rod Rooter of Big Entertainment) in a few inbetweeners on one of their video collections. Anyways Devo time over. Suffice to say the cast is awesome.

I think people really have a problem with this movie because of the childish tone of the story. In case nobody noticed, the events are all viewed through the filter of a little boy, of course it plays out halfway like a cartoon. When you are about four feet tall the world is a very different place, think back on that for a second. You can't drive a car, and adults are already weird to begin with. Everybody needs to drop the logic and get with the program here, this movie is fun period.

The moral here?

Don't take things so damn seriously all the time and enjoy life once in a while.

That includes this movie.

Tuesday, April 10, 2012

Five Easy Pieces (1970)


I honestly believe that this is one of the best American films ever produced. The only problem? Most people have never even heard of it. I could be wrong in that fact, but I can count the amount of people I know who have seen it within ten fingers. Sure that makes me bad at statistics but you're picking up what is put down here. Upon first glance the film is a very simple tale but as things unfold it becomes much more complex, revealing much much more than you thought you were in for. Every time I watch this I realize just how magical films of this era can be.

Trailer:


For once I can say I am actually pleased that a film trailer falls short of the mark in telling us what exactly a given film is about. Five Easy Pieces is a simple film but loaded with complex things, something many modern films utterly lack. Plot synopsis you say? Fair enough: Robert Dupea (Jack Nicholson) is a seemingly simple blue collar oil field worker. He drinks beer with his buddies, plays poker, goes bowling, cheats on his girlfriend- you know, the usual. But for all of this image, Robert is actually a former child prodigy pianist, and for reasons unbeknownst to us, has turned his back on his past. After quitting his job and briefly taking off to Los Angeles, his older sister Partitia (Lois Smith) tells him that his father is tremendously ill after having strokes. Bobby sets off with Rayette (who through his friend he finds out is pregnant) to his family home in Washington, but to what end?

I admit I did water that down a little but in my everlasting zeal to not give each and every thing away in a film I truly love gets the better of me. This film is not always 100% serious but still is. I say this because there's a strange interlude on the way to Washington where Bobby and Rayette pick up two women (one played by Toni Basil- known for the 80's hit "Mickey") on their way to alaska. All they talk about is environmentalism and filth. I have a thing for serious messages delivered via comedy and I think they really hit the nail on the head. I won't post any clips of that to ruin it for you, but I just have to put in the infamous diner scene where Nicholson displays his supreme sarcastic abilities to their fullest.

Watch:


I find it hard to believe that a diner wouldn't offer toast but the social context is obvious. So obvious in fact that I won't explain it, because if you're clever enough to be reading this far you probably already get it. But enough about shenanigans, this film has some truly fine acting from all members involved. I can't find one character that is cardboard for so much as a millisecond anywhere in the picture. How Karen Black never got more attention after being Rayette I'll never know (she of course has a terrific back catalog of films to boast of regardless) but after seeing her in this movie you realize she has tremendous acting ability. Susan Anspach (who plays his brother's fiancee') should not be overlooked either. She is a reminder of what Bobby could have if only he would allow himself to love himself, and her lines are so matter of fact I nearly burst into tears from the truth in them.

One really has to hand it to Nicholson as well as he is in top form here. Sure Chinatown is amazing but I feel this is his best effort, and the monologue he has with his disabled father is the clincher. I could post that for you as it is on youtube, but I would prefer you see it in its proper place in the film. Bobby is a man who cannot and will not accept the world as it is, and finds hiding and running away from his problems a more acceptable solution than owning up to them. He both cares and refuses to care. Where this mode of living will take him nobody knows, but such a misanthropic modus operandi tends to catch up with you sooner or later. To Bobby Dupea, everything truly is nothing at all.

One thing I regret not being able to post for you (maybe later but as I have no mp3 turntable so you'll have to wait indefinitely) is the soundtrack. It is a strange mixture of Tammy Wynette tracks mixed with the "five easy pieces" (from an early script reference left out of the finished picture) by Chopin, Bach, and Mozart. Also rare for a soundtrack of its era are loads of dialogue from the film, both as stand alone tracks and as intros and outros to several songs. Unfortunately the rather obscure nature of this film means it will likely never receive a CD release but thankfully the LP can be had for 2 dollars US if you know where to look. Anybody who likes country music of the era and Chopin like I do should love it.

For the sake of reference I will throw in a picture of it below:


Why see a film about a man who cannot be loved because he refuses to love himself? That is up to you to decide. The 70's in American cinema were touched by the misanthropy that lay underneath the nation's collective consciousness. By 1970 the hippie movement was winding down from their stupor and the counter culture started to look inward on itself, and I am glad films like this were the result of that soul searching. One can only talk about peace and love for so long before you realize that it starts from within you. I think it is a period for films that we will never see again, at least not in the way it was the first time around. Sure the tag line on the DVD cover is a bit lame (and I sincerely hope it wasn't used on any theatrical posters at the time), but don't let that deter you should you find this lying around in a Safeway store like I did.

RECOMMENDED 100%